Here is Mark in Capote. A secondary role that set tongues wagging in praise from no less than Philip Seymour Hoffman and Daniel Day Lewis. He impressed the best of his acting community with a strange, complicated side character who at first glance seemed so simple, but upon reflection opened up all the complications of a broken human pysche. I guess Mark has a knack for playing complicated villians. And after a few years of working with him I think I figured out why. It's not just the uncompromising intellectual rigor with which he approaches his work, where he commits himself to the utmost honesty in performance. It's that he balances that with a great comedic sensibility. After all, if the imortal equation 'tragedy + time = comedy' is true, then it's from our deepest sense of pain that comedy originates. And Mark astutely knows that. He weaves his magic by remembering that we all laugh at the darkest times, sometimes in spite of ourselves. He knows that sometimes what we laugh at is the darkest part of tragedy, the part we don't comprehend.
I always feel that having Mark on set raises the bar for everyone. For the other actors, for the crew, but especially for myself. He makes me reach further, try harder. But most importantly he challenges the work, makes it honest, struggles mightily with the parts no one else would think about. And this is what makes him so great to watch.
I hope you all enjoy watching his performance as much as I did filming it.
